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page for a demo violin class for LON-CAPA -Scott H.
1: <html>
2: <head>
3: <title>Left Hand Page</title>
4: </head>
5: <body bgcolor="#ffffff">
6: <table width="100%" border=0 bgcolor="#cccccc" cellpadding=0 cellspacing=0>
7: <tr><td width=3%> </td><td>LON-CAPA demonstration resource. Some
8: of the information for this resource quotes from and summarizes content in
9: <br /><b>Principles of Violin Playing</b> by Ivan Galamian.
10: Second Edition (1985) Prentice-Hall, Inc. New Jersey </td></tr>
11: </table>
12: <h1>Oak Spring Studios</h1>
13: <h3><font color="#aa5555">Left Hand</font></h3>
14: <p>
15: The left hand serves two purposes:
16: </p>
17: <ul>
18: <li>fingering of notes</li>
19: <li>vibrato</li>
20: </ul>
21: <p>
22: The categories of fingerings and vibratoes can work to
23: generate highly complex sound. Careful attention must
24: given to the proper form of the left hand. While quick
25: actions, glissandos, harmonics, trills, shifts,
26: and double stops add great embellishment, improper execution
27: can lead to a mediocre sound.
28: </p>
29: <p>
30: Here is a brief glossary of left hand activities:
31: </p>
32: <ul>
33: <li>double stops: two fingers are creating separate intonations on
34: two different strings</li>
35: <li>glissando: the quick ascension or descension of notes</li>
36: <li>trills: quick oscillatory actions by a left finger</li>
37: <li>harmonics: reduced pressure by intonating fingers to allow for alternative pitches
38: due to adjusted string vibrations</li>
39: <li>shifts: movement of the left hand <i>in toto</i> relative to the violin scroll</li>
40: </ul>
41: </body>
42: </html>
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