Annotation of doc/demo/violin/technique.html, revision 1.1

1.1     ! harris41    1: <html>
        !             2: <head>
        !             3: <title>Technique and Interpretation Page</title>
        !             4: </head>
        !             5: <body bgcolor="#ffffff">
        !             6: <table width="100%" border=0 bgcolor="#cccccc" cellpadding=0 cellspacing=0>
        !             7: <tr><td width=3%>&nbsp;</td><td>LON-CAPA demonstration resource.  Some
        !             8: of the information for this resource quotes from and summarizes content in
        !             9: <br /><b>Principles of Violin Playing</b> by Ivan Galamian.
        !            10: Second Edition (1985) Prentice-Hall, Inc. New Jersey </td></tr>
        !            11: </table>
        !            12: <h1>Oak Spring Studios</h1>
        !            13: <h3><font color="#aa5555">Violin Technique and Interpretation</font></h3>
        !            14: <p>
        !            15: Technique achieves the goal of interpretation when:
        !            16: </p>
        !            17: <ul>
        !            18: <li>the tone is beautiful</li>
        !            19: <li>the intonation is accurate</li>
        !            20: <li>the rhythm is under precise control</li>
        !            21: </ul>
        !            22: <p>
        !            23: Technique is grounded in absolute values.  Technical control
        !            24: must be total and knowledge of the music must be complete in
        !            25: terms of formal and harmonic structure.
        !            26: </p>
        !            27: <p>
        !            28: Interpretation comes from relative values.  The taste, style, and
        !            29: fashion of the performing individual must be clearly expressed.
        !            30: </p>
        !            31: <p>
        !            32: Technique is improved through <i>correlation</i>.  That is to say, the
        !            33: player must relate his mind's conception to his muscular response.
        !            34: This is best done by presenting the mind with problems that "proceed
        !            35: from the simple to the ever more complex".
        !            36: </p>
        !            37: <p>
        !            38: Interpretation is an activity whereby the musician freely adjusts his
        !            39: playing based on inspiration.  While the violinist must make
        !            40: technical allowances for essential acoustical "vowels" and "consonants",
        !            41: the ultimate success of interpretation is that it directly expresses
        !            42: emotion from the performer to the audience listener.
        !            43: </p>
        !            44: </body>
        !            45: </html>

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